Skip to main content

About me


Can you remember who you were, before the world told you who you should be? Charles Bukowski

I was always fascinated by materials and objects, their shape, form, identity.

School was not for me, the Ireland of the 1970s was very rigid and conservative, the teachers made me anxious and afraid. Art for my leaving certificate was mainly about Titian and the bronze doors of the Vatican by Bernini, but did little to address the creative potential the students had within themselves. The old Nun would say „Now children, today we will draw and paint butterflies” - I was eighteen.

The situation in the local Technical school was the same, the classes were concerned solely with engineering, and nothing regarding the creative arts. I had lost interest in school at an early age anyway, believing firmly that education was about conformity, about the system, and had little to do with me. At seventeen, I somehow discovered the writings of William Blake, his exuberance and brilliant insights into the wonderful world in which we live was a revelation, an escape. His unorthodox views regarding life, perception, and the soul, was to bring me pleasure, understanding, and peace of mind.

'If the doors of perception were cleansed everything would appear to man as it is, infinite. For man has closed himself up, till he sees all things thro' narrow chinks of his cavern.'

Having trained as a technician I worked in electrical rooms around the world for many years. Rooms concealed from public view, often underground, in big cities, and in the remote deserts of Saudi Arabia. I began to appreciate the beauty order and form of the various objects and components that surrounded me, in this hidden world. 

Later as an Artist I wanted to work with these same objects, and their perceived identity - changing, reinventing, manipulation, endeavouring to create something new, aesthetic, and pleasing to the eye. In the same way as a painter works with canvas brushes and tubes of paint.

Spending many years in Leipzig and Berlin, in the former East Germany, I collected a lot of material from abandoned factories, and the industrial wasteland there, but my electrical experience and interest in industry does not define or limit me as a creative person. I delight in working with all kinds of materials, a collaborate between Artist and object, bringing something new, something different, into existence.

John Power.

Comments

Popular posts from this blog

(New) Studio G11 In 2002 I moved from Ireland to Leipzig in the east of Germany, and began working as an Artist in the Baumwollspinnerei, a centre for the Arts. Located in the west of the city in the former industrial quarter, it was once the biggest cotton mill in Europe. It was not long before I met Hendrik Voerkel from Leipzig, and Lexander Prokogh from Russia, both very talented painters. After a few years we formed the Art Group Gruppe 11, named after Gebäude 11 or Building 11 in the Spinnerei where they had their studios. In  2010 we decided to open a Gallery in Berlin in Landsberger Allee, to exhibit our work and the work of other international artists. I later moved on to Funkhaus in Berlin the old radio centre in the east of the city, and Schöneweide the former AEG Industrial complex, showing my work, as well as curating and organising many group exhibitions. In 2019 I decided to return to Ireland, to Bunclody Co. Wexford the place of my birth, and cont...
  VEB NARVA LEIPZIG GDR   (Manufactured 1960s - 70s) When I came to Leipzig in 2002 there were still many of the huge fibreglass street lamps in use in the city which were produced in the 1960s. On a cold damp foggy night the street scene reminded me of East Germany during the cold war - giving me a sense of the sinister and foreboding. Years later I met Herr Müller in Büschingstr Berlin where I was living. He along with a colleague was busy removing the lamps on our street and replacing them with the modern LED lamps. We were talking for a while about their work and I was asking what happens to the old lamps that are no longer in use. He said:  Müll. Rubbish. Later he invited me to come out to his place the following Saturday. He would collect me at the railway station. So I got the train to Bernau a town circa 30 minutes north of Berlin, where he was waiting. We drove for about twenty minutes out into the countryside until we came to a small village, where we went...
VEB NARVA Leipzig GDR Fibre Glass Aluminium Light bulbs Dimmer switch 2017 SOLD limited stock for commissions available